Little Girl Giants Shoe
DOI:
https://doi.org/10.24377/LSACI.article3157Abstract
Little Girl Giants Shoe came into play through powerful memories I hold from my childhood when I witnessed the Liverpool Giants. To capture the essence of those moments, I chose a range of blues, starting with ultramarine and blending phthalo blue with titanium white to create a custom palette, reflecting the varying tones of water. The end of my paintbrush was used to create subtle wave-like movements, allowing the deeper ultramarine to show through, while a squeegee helped me express my emotions across the sky, tapping into my inner child’s voice. For the Giants shoe, I used burnt sienna and employed a layering technique, constantly reworking the surface by dripping, splattering and scraping away paint. This process of applying and removing layers reflected the complexity of memory and feeling. As I painted, I connected with the emotions I experienced as a child witnessing the Giants, bringing those feelings to the surface once again. Through these techniques, I sought not only to recreate the scene from archival snapshots but to channel the emotions and memories of that awe-inspiring moment. The painting is an emotional tribute to both the Giants and my own childhood wonder. I have had success with this painting this year, it was accepted into the extended longlist for the Jackson Art Prize.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Emily Edwards

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The copyright of content is retained by the author(s). Please check the specific licence for this item. The majority of the content in this journal is published under a Creative Commons Attribution Licence. Artworks are published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licence. These licences allow others to read, download, copy, distribute, print, search, or link to the full text of works in this journal, or to use them for any other lawful purpose in accordance with the licence.
This journal provides immediate open access to its content and has no submission or publication fees.